FraKctured (Tab)
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FraKctured in standard guitar tuning
Date Submitted: 11-Jul-00
By: Marcus Enochsson (the_unifaun at hotmail dot com)
Intro: ----- 5/4 _____ _____ RF | 1 | 2 ||--6-----8---6-----10---6------|-8---10-------|-10----12------| ||----7-----9---7----------7----|---9----13~---|----13----15~--| ||*-----5---------5----9-----5--|-------------*|---------------| ||*-----------------------------|-------------*|---------------| ||------------------------------|--------------|---------------| ||------------------------------|--------------|---------------| _____ _____ RF | 1 | 2 |--11-----12----11-----9----11-----12----|-11-------|-15------| |-----9------11----9-----11----9------11-|----------|----12~--| |*------9------------9-----------9-------|----12~--*|---------| |*---------------------------------------|---------*|---------| |----------------------------------------|----------|---------| |----------------------------------------|----------|---------| _____ _____ RF | 1 | 2 |--6-----8---6-----10---6------|--8---10-------|-10----12------| |----7-----9---7----------7----|----9----13~---|----13----15~--| |*-----5---------5----9-----5--|--------------*|---------------| |*-----------------------------|--------------*|---------------| |------------------------------|---------------|---------------| |------------------------------|---------------|---------------| | AB | | First time through, play AB's notes on the beats RF does. | | Second time, play them a 8th after, creating a "delay" effect| |-10----12--10-----14--10------|-12---14-------|-14----16------| |---11----13--11---------11----|---13----17~---|----17----19~--| |*-----9---------9---13-----9--|--------------*|---------------| |*-----------------------------|--------------*|---------------| |------------------------------|---------------|---------------| |------------------------------|---------------|---------------| _____ _____ RF | 1 | 2 |--11-----12----11-----9----11-----12----|-11-------|-15------|| |-----9------11----9-----11----9------11-|----------|----12~--|| |*------9------------9-----------9-------|----12~--*|---------|| |*---------------------------------------|---------*|---------|| |----------------------------------------|----------|---------|| |----------------------------------------|----------|---------|| | AB (same thing here) || |---7------9-----7-----6-----7------9----|--7-------|-11------|| |-----5-------7----5------7----5-------7-|----------|-----8~--|| |*------6------------6-----------6-------|-----8~--*|---------|| |*---------------------------------------|---------*|---------|| |----------------------------------------|----------|---------|| |----------------------------------------|----------|---------|| 4/4 ||---7------7------7~--|| ||---8------8------8~--|| ||-----8~-----8~-------|| ||-----9~-----9~-------|| ||---------------------|| ||---------------------|| Fast (1:21): ----------- RF 4/4 (in bars of 32/32) ||---------------|-----|---------------|-----|---------------|-----|| ||-4---6-------6-|4----|-6---8-------8-|6----|-7---9---5---9-|7----|| ||--4-4-4-464-4-4|-4-4-|--6-6-6-686-6-6|-6-6-|--5-5-5-5-5-5-5|-5-5-|| ||---7---7---7---|--7--|---9---9---9---|--9--|---8---8---8---|--8--|| ||---------------|-----|---------------|-----|---------------|-----|| ||---------------|-----|---------------|-----|---------------|-----|| x2 x2 x2 7/8 (28/32) 4/4 (32/32) ||---------------|-----------------||-----------------------------|---------| ||-6---8-------8-|6---8---9----11--||-12------14--------------14--|12-------| ||--6-6-6-696-6-6|-6-6-6-6-9--9--9-||---12--12--12--121412--12--12|--12--12-| ||---9---9---9---|--9---9---12-----||-----15------15------15------|----15---| ||---------------|-----------------||-----------------------------|---------| ||---------------|-----------------||-----------------------------|---------| x2 |----------------------------|--------|----------------------------|--------| |14------16------12------16--|14------|15------17------13------17--|15------| |--12--12--12--12--12--12--12|--12--12|--13--13--13--13--13--13--13|--13--13| |----15------15------15------|----15--|----16------16------16------|----16--| |----------------------------|--------|----------------------------|--------| |----------------------------|--------|----------------------------|--------| x2 x2 3/4 |---------------------------||-13------15--16------18-|| |--14------16--16------18---||---14--14--14--14--14---|| |----12--12--12--12--12-----||-----16----------16-----|| |------15----------15-------||------------------------|| |---------------------------||------------------------|| |---------------------------||------------------------|| Slower (1:49): ------------- AB (?) 5/4 ||--20--------20---------| |--20---|--18---|--18---|--16---| ||----24--24----24--24~--| then do |--24---|--22---|--22---|--20---| ||------21--21----21-----| the same |--20---|--19---|--18---|--17---| ||-----------------------| thing with |-------|-------|-------|-------| ||-----------------------| different |-------|-------|-------|-------| ||-----------------------| notes: |-------|-------|-------|-------| || RF (?) | | | | | | ||----------15-----------| |--15---|--13---|--13---|--11---| ||------17----------17---| |--16---|--15---|--14---|--13---| ||--17----------16-------| |-17>16-|-15>14-|-15>14-|-13>12-| ||-----------------------| |-------|-------|-------|-------| ||-----------------------| |-------|-------|-------|-------| ||-----------------------| |-------|-------|-------|-------| x2 and the last time: |--16--------16------------16----15~---|| |----20--20----20--20~-------20--------|| |------16--16----16------------15------|| |--------------------------------------|| |--------------------------------------|| |--------------------------------------|| | || |----------11--------------------------|| |------12----------12----------11~-----|| |--13----------12----------12----------|| |--------------------------------------|| |--------------------------------------|| |--------------------------------------|| Fast (2:14): ----------- RF 7/8 (28/32) 4/4 (32/32) ||----------------------------|-------------------||-----------------|------| ||11------13------10------12--|9----11----8----10-||7----9---------9-|7-----| ||--11--11--11--11--10--10--10|-9--9--9--9-8--8--8||-7--7-7--797--7-7|-7--7-| ||----14------14------13------|--12----12---11----||--10---10---10---|--10--| ||----------------------------|-------------------||-----------------|------| ||----------------------------|-------------------||-----------------|------| x2 |--------------------|------|---------------------|--------| |-9----11----7----11-|9-----|-10----12----8----12-|10------| |--7--7--7--7-7--7--7|-7--7-|---8--8--8--8-8--8--8|--8--8--| |---10----10---10----|--10--|----11----11---11----|---11---| |--------------------|------|---------------------|--------| |--------------------|------|---------------------|--------| x2 x2 7/8 (28/32) 4/4 (32/32) ||-------------------|----------------||---------------|-----| ||9----11----8----10-|7----9----6---8-||-5---7-------7-|5----| ||-9--9--9--9-8--8--8|-7--7-7--7-6-6-6||--5-5-5-575-5-5|-5-5-| ||--12----12---11----|--10---10---9---||---8---8---8---|--8--| ||-------------------|----------------||---------------|-----| ||-------------------|----------------||---------------|-----| x2 7/8 (28/32) |-----------------|------|-----------------|-----||-----------------| |7----9---------9-|7-----|-8---10---6---10-|8----||-7----9----6---8-| |-7--7-7--797--7-7|-7--7-|--6-6--6-6-6-6--6|-6-6-||--7--7-7--7-4-4-4| |--10---10---10---|--10--|---9----9---9----|--9--||---10---10---7---| |-----------------|------|-----------------|-----||-----------------| |-----------------|------|-----------------|-----||-----------------| x2 x2 4/4 (32/32) |--------------||---------------|-----|---------------|--------------|------| |4---6---3---5-||-2---4-------4-|2----|-----4---2---4-|----4---2---5-|4-----| |-4-4-4-4-1-1-1||--2-2-2-252-2-2|-2-2-|-52-2-2-2-2-2-2|52-2-2-2-2-2-2|-2-2--| |--7---7---4---||---5---5---5---|--5--|---5---5---5---|--5---5---5---|--5---| |--------------||---------------|-----|---------------|--------------|------| |--------------||---------------|-----|---------------|--------------|------| x2 |---------------|-----|--------------|----------------------| |-2---4-------4-|2----|-3---5-5---7--|-8----10-10------12---| |--2-2-2-252-2-2|-2-2-|--3-3-3-5-5---|--8--8--8--10--10-----| |---5---5---5---|--5--|---6-----8----|---11--------13-------| |---------------|-----|--------------|----------------------| |---------------|-----|--------------|----------------------| x2 3/4 |---------------------------||-13------15--16------18-|| |--13------15--15------17---||---14--14--14--17--17---|| |----13--13--13--15--15-----||-----16----------19-----|| |------16----------18-------||------------------------|| |---------------------------||------------------------|| |---------------------------||------------------------|| Slower (3:01): ------------- AB (?) 5/4 ||--20--------20---------| |--20---|--18---|--18---|--15---| ||----24--24----24--24~--| then do |--24---|--22---|--22---|--19---| ||------21--21----21-----| the same |--20---|--19---|--18---|--16---| ||-----------------------| thing with |-------|-------|-------|-------| ||-----------------------| different |-------|-------|-------|-------| ||-----------------------| notes: |-------|-------|-------|-------| || RF (?) | | | | | | ||----------15-----------| |--15---|--13---|--13---|--10---| ||------17----------17---| |--16---|--15---|--14---|--12---| ||--17----------16-------| |-17>16-|-15>14-|-15>14-|-12>11-| ||-----------------------| |-------|-------|-------|-------| ||-----------------------| |-------|-------|-------|-------| ||-----------------------| |-------|-------|-------|-------| x2 and the last time: |--15--------15------------15----14~---|| |----19--19----19--19~-------19--------|| |------15--15----15------------14------|| |--------------------------------------|| |--------------------------------------|| |--------------------------------------|| | || |----------10--------------------------|| |------11----------11----------10~-----|| |--12----------11----------11----------|| |--------------------------------------|| |--------------------------------------|| |--------------------------------------|| Fast (3:27): ----------- 7/8 (28/32) 4/4 (32/32) ||-------------------------|----------------||---------------|-----| ||-10------12------9----11-|7----9----6---8-||-5---7-------7-|5----| ||---10--10--10--10-7--7--7|-7--7-7--7-4-4-4||--5-5-5-575-5-5|-5-5-| ||-----13------13----10----|--10---10---7---||---8---8---8---|--8--| ||-------------------------|----------------||---------------|-----| ||-------------------------|----------------||---------------|-----| x2 7/8 (28/32) |-----------------|------|-----------------|-----||-----------------| |7----9---------9-|7-----|-8---10---6---10-|8----||-7----9----6---8-| |-7--7-7--797--7-7|-7--7-|--6-6--6-6-6-6--6|-6-6-||--7--7-7--7-4-4-4| |--10---10---10---|--10--|---9----9---9----|--9--||---10---10---7---| |-----------------|------|-----------------|-----||-----------------| |-----------------|------|-----------------|-----||-----------------| x2 x2 4/4 (32/32) |--------------||---------------|-----|---------------|--------------|------| |4---6---3---5-||-2---4-------4-|2----|-----4---2---4-|----4---2---5-|4-----| |-4-4-4-4-1-1-1||--2-2-2-252-2-2|-2-2-|-52-2-2-2-2-2-2|52-2-2-2-2-2-2|-2-2--| |--7---7---4---||---5---5---5---|--5--|---5---5---5---|--5---5---5---|--5---| |--------------||---------------|-----|---------------|--------------|------| |--------------||---------------|-----|---------------|--------------|------| x2 7/8 (28/32) |---------------|-----||---------------|------------------------| |-2---4-------4-|2----||-3---5---6---8-|9----11----12------14---| |--2-2-2-252-2-2|-2-2-||--3-3-3-3-6-6-6|-9--9--9--9--10--10--10-| |---5---5---5---|--5--||---6---6---9---|--12----12-----13-------| |---------------|-----||---------------|------------------------| |---------------|-----||---------------|------------------------| x2 |-----------------------------|------------------------------|| |-15------17------14------16--|13------15------12------14----|| |---15--15--15--15--12--12--12|--13--13--13--13--10--10--10--|| |-----18------18------15------|----16------16------13--------|| |-----------------------------|------------------------------|| |-----------------------------|------------------------------|| 3/4 (24/32) 4/4 (32/32) |--------------------------------------||-----------------|------| |-11------13--10----12-9----11-8---10--||7----9---------9-|7-----| |---11--11--11--8--8--8-9--9--9-6-6--6-||-7--7-7--797--7-7|-7--7-| |-----14---------11------12------9-----||--10---10---10---|--10--| |--------------------------------------||-----------------|------| |--------------------------------------||-----------------|------| x2 |--------------------|------|---------------------|-------| |-9----11----7----11-|9-----|-10----12----8----12-|10-----| |--7--7--7--7-7--7--7|-7--7-|---8--8--8--8-8--8--8|--8--8-| |---10----10---10----|--10--|----11----11---11----|---11--| |--------------------|------|---------------------|-------| |--------------------|------|---------------------|-------| x2 x2 7/8 (28/32) |--------------------|10------12--13------15--||16------18------15------17--| |9----11-12------14--|--11--11--11--14--14----||--17--17--17--17--14--14--14| |-9--9--9--12--12----|----13----------16------||----19------19------16------| |--12--------15------|------------------------||----------------------------| |--------------------|------------------------||----------------------------| |--------------------|------------------------||----------------------------| 3/4 (24/32) |14------16------13------15--||12------14--11------13--10------12--9----11-|| |--15--15--15--15--12--12--12||--13--13--13--10--10--10--11--11--11-8--8--8|| |----17------17------14------||----15----------12----------13--------10----|| |----------------------------||--------------------------------------------|| |----------------------------||--------------------------------------------|| |----------------------------||--------------------------------------------|| Slower (4:22): ------------- AB (?) 5/4 ||-12--------12--------| |-12-|-10-|-10-|--8-|--8-|--6-|--6-|--4-|--4-| ||---16--16----16--16~-| then |-16-|-14-|-14-|-12-|-12-|-10-|-10-|--8-|--8-| ||-----13--13----13----| the |-12-|-11-|-10-|--9-|--8-|--7-|--6-|--5-|--4-| ||---------------------| same |----|----|----|----|----|----|----|----|----| ||---------------------| thing |----|----|----|----|----|----|----|----|----| ||---------------------| with |----|----|----|----|----|----|----|----|----| || RF (?) | other | | | | | | | | | | ||----------7----------| notes:|-7--|-5--|-5--|-3--|-3--|-1--|-1--|----|----| ||------9-----------9--| |-8--|-7--|-6--|-5--|-4--|-3--|-2--|-4--|-4--| ||--9-----------8------| |9>8-|7>6-|7>6-|5>4-|5>4-|3>2-|3>2-|-5--|-4--| ||---------------------| |----|----|----|----|----|----|----|6>5-|6>5-| ||---------------------| |----|----|----|----|----|----|----|----|----| ||---------------------| |----|----|----|----|----|----|----|----|----| x2 |--3---2--------|| |----0---0------|| |----------0~---|| |---------------|| |---------------|| |---------------|| | || |---------------|| |------3--------|| |--0-------4~---|| |---------------|| |---------------|| |---------------|| Fast distorted solo (also appearing in LTIA IV) (5:10): ------------------------------------------------------ not transcribed yet Fast (7:03): ----------- 4/4 (32/32) ||---------------|-----|---------------|-----|---------------|-----|| ||-0---2-------2-|0----|-2---4---0---4-|2----|-3---5---1---5-|3----|| ||--0-0-0-020-0-0|-0-0-|--2-2-2-2-2-2-2|-2-2-|--1-1-1-1-1-1-1|-1-1-|| ||---3---3---3---|--3--|---5---5---5---|--5--|---4---4---4---|--4--|| ||---------------|-----|---------------|-----|---------------|-----|| ||---------------|-----|---------------|-----|---------------|-----|| x2 x2 x2 3/4 (24/32) 4/4 (32/32) ||--------------||---------------|-----|-----------------|------| ||-2---4-----4--||-5---7-------7-|5----|7----9---------9-|7-----| ||--2-2-252-2-2-||--5-5-5-575-5-5|-5-5-|-7--7-7--797--7-7|-7--7-| ||---5-----5----||---8---8---8---|--8--|--10---10---10---|--10--| ||--------------||---------------|-----|-----------------|------| ||--------------||---------------|-----|-----------------|------| x2 x2 x2 7/8 (28/32) |----------------|----||----------------------|----------------------------|| |8---10---6---10-|8---||7----9----10------12--|13------15------16------18--|| |-6-6--6-6-6-6--6|-6-6||-7--7-7--7--10--10--10|--13--13--13--13--16--16--16|| |--9----9---9----|--9-||--10---10-----13------|----16------16------19------|| |----------------|----||----------------------|----------------------------|| |----------------|----||----------------------|----------------------------|| x2 RF (6/32) (I had trouble finding the meter here...) ||--------------|------------|--------------|| ||--16------18--|16------18--|16------18----|| repeat this ||----16------16|--16------16|--16------16--|| 12 times, while ||--------16----|------16----|------16------|| Adrian plays ||------14------|----14------|----14--------|| this: ||--------------|------------|--------------|| || AB for first 8 times: for last 4 times (double speed): ||--5-----7---5-----9---5-----7---9-----|--7--9--7--11--7--9--11------| ||----6-----8---6---------6-----8---12~-|---8--10-8------8--10--14~---| ||------4---------4---8-----4-----------|----6-----6--10--6-----------| ||--------------------------------------|-----------------------------| ||--------------------------------------|-----------------------------| ||--------------------------------------|-----------------------------| Outro (7:53): ------------ 5/4 _____ _____ RF | 1 | 2 |--6-----8---6-----10---6------|--8---10-------|-10----12------| |----7-----9---7----------7----|----9----13~---|----13----15~--| |*-----5---------5----9-----5--|--------------*|---------------| |*-----------------------------|--------------*|---------------| |------------------------------|---------------|---------------| |------------------------------|---------------|---------------| | AB | | First time through, play AB's notes on the beats RF does. | | Second time, play them a 8th after, creating a "delay" effect| |-10----12--10-----14--10------|-12---14-------|-14----16------| |---11----13--11---------11----|---13----17~---|----17----19~--| |*-----9---------9---13-----9--|--------------*|---------------| |*-----------------------------|--------------*|---------------| |------------------------------|---------------|---------------| |------------------------------|---------------|---------------| _____ _____ RF | 1 | 2 |--11-----12----11-----9----11-----12----|-11-------|-15------| |-----9------11----9-----11----9------11-|----------|----12~--| |*------9------------9-----------9-------|----12~--*|---------| |*---------------------------------------|---------*|---------| |----------------------------------------|----------|---------| |----------------------------------------|----------|---------| | AB (same thing here) | |---7------9-----7-----6-----7------9----|--7-------|-11------| |-----5-------7----5------7----5-------7-|----------|-----8~--| |*------6------------6-----------6-------|-----8~--*|---------| |*---------------------------------------|---------*|---------| |----------------------------------------|----------|---------| |----------------------------------------|----------|---------| _____ _____ RF | 1 | 2 |--6-----8---6-----10---6------|--8---10-------|-10----12------| |----7-----9---7----------7----|----9----13~---|----13----15~--| |*-----5---------5----9-----5--|--------------*|---------------| |*-----------------------------|--------------*|---------------| |------------------------------|---------------|---------------| |------------------------------|---------------|---------------| _____ _____ RF | 1 | 2 |--11-----12----11-----9----11-----12----|-11-------|-15~~---|| |-----9------11----9-----11----9------11-|----------|--------|| |*------9------------9-----------9-------|----12~--*|--------|| |*---------------------------------------|---------*|--------|| |----------------------------------------|----------|--------|| |----------------------------------------|----------|--------|| | AB (same thing here) || |---7------9-----7-----6-----7------9----|--7-------|--7~~---|| |-----5-------7----5------7----5-------7-|----------|--------|| |*------6------------6-----------6-------|-----8~--*|--------|| |*---------------------------------------|---------*|--------|| |----------------------------------------|----------|--------|| |----------------------------------------|----------|--------|| ------------------------------------------------------------------------------ 7~ hold (longer than other notes) 7h9 hammer-on 9p7 pull-off 7(9) bend (9)7 release (9)r release 7/9 slide up 9\7 slide down <7> natural harmonics 7tr9 trill < swelled note, with volume knob or pedal * marks beat
FraKctured in Fripp's New Standard Tuning
The New Standard Tuning (from low to high: C-G-D-A-E-G) is the guitar tuning that Robert Fripp began using in 1984 and has been using it exclusively in everything he's played since then – including FraKctured.
Date: 31-Jul-00
By: Jakub Misak (jmisak at centrum dot cz)
Corrections: Nic Roozeboom
Tempo: 138 BPM
********* * * * Intro * * * ********* x = quarter notes A1: x x x x x x x x x x x x x x x x x x x x |------------------------------------------------------------| |6--------8-----6--------10----6--------8-----10-8-----------| |---9--------11----9--------7-----9--------11----------------| |------10-------------10-------------10----------------------| |------------------------------------------------------------| |------------------------------------------------------------| A2: x x x x x x x x x x x x x x x x x x x x |---------------------------------------7-----9--------------| |6--------8-----6--------10----6-----------8-----10----------| |---9--------11----9--------7-----9--------------------------| |------10-------------10-------------10----------------------| |------------------------------------------------------------| |------------------------------------------------------------| B1: x x x x x x x x x x x x x x x x x x x x |------------------------------------------------------------| |11-------12----11-------9-----11-------12----11-------------| |---11-------13----11-------13----11-------13----10----------| |------14-------------14-------------14----------------------| |------------------------------------------------------------| |------------------------------------------------------------| B2: x x x x x x x x x x x x x x x x x x x x x x x |---------------------------------------------------------------------| |11-------12----11-------9-----11-------12----15----------------------| |---11-------13----11-------13----11-------13----14-------------------| |------14-------------14-------------14-------------------------------| |---------------------------------------------------------------------| |---------------------------------------------------------------------| This is the main melody. It should be played in this way: a) Fripp and Belew play parts A1-B2 together, but in circulation: 1st note is played by Belew, Fripp plays the second note etc. b) Belew plays A1 (all notes) while Fripp plays A1 a third (4 frets) higher c) Belew plays A2. Fripp plays A2, again three tones higher - but: He (Fripp) begins an eighth note later, but the last two notes are played together with Belew, so the 15th note is shorter (it's an eighth note): x = eighth notes Fripp x x x x x x x x x x x x x x x x x x x x |------------------------------------------------------------| |---10----------------12----------10----------------14-------| |---------13----------------15----------13----------------11-| |---------------14----------------------------14-------------| |------------------------------------------------------------| |------------------------------------------------------------| Fripp x x x x x x x x x x x x x x x x x x x x |---------------------11-------13----------------------------| |---10----------------------12-------14----------------------| |---------13-------------------------------------------------| |---------------14-------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| d) Belew plays B1 while Fripp plays this: Fripp |------------------------------------------------------------| |7--------9-----7--------6-----7--------9-----7--------------| |---7--------9-----7--------9-----7--------9-----6-----------| |------11-------------11-------------11----------------------| |------------------------------------------------------------| |------------------------------------------------------------| e) Belew plays B2 and Fripp uses the delay trick again: x = eighth notes Fripp x x x x x x x x x x x x x x x x x x x x |------------------------------------------------------------| |---7-----------------9-----------7-----------------6--------| |---------7-----------------9-----------7-----------------9--| |---------------11----------------------------11-------------| |------------------------------------------------------------| |------------------------------------------------------------| Fripp x x x x x x x x x x x x x x x x x x x x x x x x x x |------------------------------------------------------------------------------| |---7-----------------9--------11----------------------------------------------| |---------7-----------------9--------10----------------------------------------| |---------------11-------------------------------------------------------------| |------------------------------------------------------------------------------| |------------------------------------------------------------------------------| f) And finally: Fripp |4-----------------------4-----------------------4--------------------------| |3-----------------------3-----------------------3--------------------------| |---6-----------------------6-----------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| ******************* * * * Moto Perpetuo I * * * ******************* Sixteenth notes 1. Fripp |------------------------------------------------|------------------------------------------------| |------------------------------------------------|------------------------------------------------| *|6-----------8-----------4-----------8-----6-----|------8-----------4-----------8-----6-----------| |---9--7--9-----9--7--9-----9--7--9-----9-----9--|7--9-----9--7--9-----9--7--9-----9-----9--7--9--| |------------------------------------------------|------------------------------------------------| |------------------------------------------------|------------------------------------------------| * hold the notes on this string, play it similarly in the next steps and variations 2. The same, 1 tone (2 frets) higher 3. |------------------------------------------------|------------------------------------------------| |------------------------------------------------|------------------------------------------------| |9-----------11----------7-----------11----9-----|------11----------7-----------11----9-----------| |---10-8--10----10-8--10----10-8--10----10----10-|8--10----10-8--10----10-8--10----10----10-8--10-| |------------------------------------------------|------------------------------------------------| |------------------------------------------------|------------------------------------------------| 4. |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| |8-----------10----------7-----------10----8-----------10----------11----------13----| |---11-9--11----11-9--11----11-9--11----11----11-9--11----11-9--11----14-12-14----14-| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| 5. Repeat module No. 1, 8 semitones (1 string + 1 fret) higher 6. Play pattern No. 3, a fifth (1 string) higher 7. Repeat the previous step, play it 1 semitone higher 8. |------------------------------------------------| |9-----------11----11----------13----------------| |---12-10-12----12----14-12-14-------------------| |------------------------------------------------| |------------------------------------------------| |------------------------------------------------| 9. |------------------------------------| |13----------15----16----------18----| |---16-14-16----16----19-17-19----19-| |------------------------------------| |------------------------------------| |------------------------------------| ******************* * * * Fairy Fingers I * * * ******************* I Eighth notes Fripp |17-------------17-------------17-------------17-------------| |---19----19-------19----19-------19----19-------19----19----| |------19----19-------19----19-------19----19-------19----19-| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| Quarter notes Belew |------12-------------12-------| |---12-------12----12-------12-| |15-------14----15-------14----| |------------------------------| |------------------------------| |------------------------------| II Eighth notes Fripp |17-------------17-------------17-------------17-------------| |---19----19-------19----19-------19----19-------19----19----| |------18----18-------18----18-------18----18-------18----18-| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| Quarter notes Belew |------12-------------12-------| |---11-------11----11-------11-| |15-------14----15-------14----| |------------------------------| |------------------------------| |------------------------------| Play the first Fairy Fingers section in this way: X: I and II Y: I and II again, but two frets lower Z: Play I four frets lower and then: Eighth notes Fripp |13-------------13-------------13----------------------| |---15----15-------15----15-------15----15-------------| |------14----14-------14----14-------13----------------| |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| Eighth notes Belew |------------8-----------------------------------------| |------7-----------------7--------------6--------------| |11----------------10----------10----10----------------| |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| ******************** * * * Moto Perpetuo II * * * ******************** Sixteenth notes 10. Fripp |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| |13----------15----------12----------14----11----------13----------10----------12----| |---16-14-16----16-14-16----13-11-13----13----14-12-14----14-12-14----11-9--11----11-| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| 11. Play pattern No. 1 (from Moto Perpetuo I) 3 semitones higher 12. Module 3, play it a whole tone (2 frets) higher 13. Repeat the previous step, but a semitone higher 14. Part No. 10, a second (two frets) lower 15. Play parts 1-3 one semitone higher 16. |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| |9-----------11----------8-----------10----6-----------8-----------5-----------7-----| |---12-10-12----12-10-12----9--7--9-----9-----9--7--9-----9--7--9-----6--4--6-----6--| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| 17. a) |------------------------------------------------|------------------------------------------------| |------------------------------------------------|------------------------------------------------| |4-----------6-----------3-----------6-----4-----|------6-----------3-----------6-----4-----------| |---7--5--7-----7--5--7-----7--5--7-----7-----7--|5--7-----7--5--7-----7--5--7-----7-----7--5--7--| |------------------------------------------------|------------------------------------------------| |------------------------------------------------|------------------------------------------------| b) |------------------------------------------------|------------------------------------------------| |------------------------------------------------|------------------------------------------------| |3-----------6-----------4-----------6-----3-----|------6-----------4-----------7-----6-----------| |---7--5--7-----7--5--7-----7--5--7-----7-----7--|5--7-----7--5--7-----7--5--7-----7-----7--5--7--| |------------------------------------------------|------------------------------------------------| |------------------------------------------------|------------------------------------------------| c) Play a) again 18. Module 8, eleven semitones lower 19. Play the previous part a fourth (5 half-steps) higher 20. The same, another 5 semitones higher 21. Play module No. 9 ******************** * * * Fairy Fingers II * * * ******************** It's the same as Fairy Fingers I but Z is a semitone lower. ********************* * * * Moto Perpetuo III * * * ********************* Sixteenth notes 22. Play part 16 (from Moto Perpetuo II) 3 semitones higher 23. Modules 1-3 one semitone higher 24. Play part No. 16 25. 17 a, b, c 26. |------------------------------------------------------------------------------------| |------------------------------------------4-----------6-----------7-----------9-----| |5-----------7-----------8-----------10-------7--5--7-----7--5--7-----8--6--8-----8--| |---8--6--8-----8--6--8-----9--7--9-----9--------------------------------------------| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| 27. Pattern No. 10, three tones higher (1 string higher, 3 frets lower) 28. |------------------------------------------------------------------------| |6-----------8-----5-----------7-----4-----------6-----3-----------5-----| |---9--7--9-----9-----6--4--6-----6-----7--5--7-----7-----4--2--4-----4--| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| 29. Module 1, three semitones higher 30. Module 3, two semitones higher 31. Module 3, three semitones higher 32. |------------------------------------------------| |4-----------6-----7-----------9-----------------| |---7--5--7-----7-----10-8--10-------------------| |------------------------------------------------| |------------------------------------------------| |------------------------------------------------| 33. Repeat the previous part, play it 6 semitones higher 34. Parts 27+28, a diminished fifth (6 frets) higher ********************* * * * Fairy Fingers III * * * ********************* Play this: Eighth notes Fripp |9--------------9--------------| |---11----11-------11----11----| |------11----11-------11----11-| twice |------------------------------| |------------------------------| |------------------------------| |9--------------9--------------| |---11----11-------11----11----| |------10----10-------10----10-| twice |------------------------------| |------------------------------| |------------------------------| Quarter notes Belew |------------------------------------------------------------| |------------------------------------------------------------| |---11-14----11----11-14----11----10-14----10----10-14----10-| |14-------13----14-------13----14-------13----14-------13----| |------------------------------------------------------------| |------------------------------------------------------------| -then the same 1 tone lower -1 tone down -step down again -another step down And now something slightly different: Eighth notes Fripp |0-------------------------| |------2-------------------| |---2-----2----------------| |------------5-------------| |--------------------------| |--------------------------| Quarter notes Belew |--------------------------| |--------------------------| |---5----------------------| |9-----9-------------------| |--------------------------| |--------------------------| ********************** * * * The Brutal Section * * * ********************** These are the basic Terror modules: Sixteenth notes in 15/8 T1 Fripp |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------0--2--------0--------2--------3-----------------2--------0--------0--------2--| |---1--3--4--------1--3-----3--4-----3--4--------0--1--3--4-----1--3-----3--4-----3--4-----| |4--------------------------------------------4--------------------------------------------| T2 |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------0--2--------0--------2--------3-----------------3--------2--------3--------5--| |---1--3--4--------1--3-----3--4-----3--4--------0--1--3--4-----3--4-----4--6-----4--6-----| |4--------------------------------------------4--------------------------------------------| T3 |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------3--6--------3--------5--------6--------------3--5--------3--------3--------5--| |---3--6--7--------3--6-----6--7-----6--7--------3--6--7--------3--6-----6--7-----6--7-----| |7--------------------------------------------7--------------------------------------------| T4 |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------3--6--------3--------5--------6--------------3--6--------5--------6--------8--| |---3--6--7--------3--6-----6--7-----6--7--------3--6--7--------5--7-----7--9-----7--9-----| |7--------------------------------------------7--------------------------------------------| T5 |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------5--6--5-----5--------5--------6-----------------6--------6--------6--------7--| |---6--8--9-----------8-----8--9-----8--9--------5--6--8--9-----6--8-----8--9-----8--9-----| |9--------------------------------------------9--------------------------------------------| |------------------------------------------------------------------------------------------| T5b (only the 7th note is different) |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------5--6--------5--------5--------6-----------------6--------6--------6--------7--| |---6--8--9--------6--8-----8--9-----8--9--------5--6--8--9-----6--8-----8--9-----8--9-----| |9--------------------------------------------9--------------------------------------------| |------------------------------------------------------------------------------------------| T6 |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------6--7--------7--------7--------8-----------------8--------7--------6--------5--| |---6--8--9--------6--8-----8--9-----8--9--------5--6--8--9-----8--9-----8--9-----8--9-----| |9--------------------------------------------9--------------------------------------------| |------------------------------------------------------------------------------------------| T7 |------------------------------------------------------------------------| |------------3--6--5-----4-----3-----------------3--5--4-----3-----------| |---3--6--7-----------7-----7-----6-----3--6--7-----------6-----6--7--6--| |7-----------------------------------7-----------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| T8 |------------------------------------| |------------3--6--5-----4-----3-----| |---3--6--7-----------7-----7-----6--| |7-----------------------------------| |------------------------------------| |------------------------------------| T9 |---------------------------------------------------------------------------------------------------| |------------3--5--6--3-----------------------------------------------------------------------------| |---3--6--7--------------7--6--3--------------------------------------------------------------------| |7--------------------------------7--6--3-----------------------------------------------------------| |------------------------------------------7--6--3--0-----------------------------------------------| |---------------------------------------------------------------------------------------------------| So, play T1-T9 (without T5b) Then T1-T4 one string (5 tones) higher T5b, T6, again a fifth higher T7-T9 seven frets (I wouldn't say one string) higher (Play the last note of this version of T9 on the lowest string, 14th fret) Part T1 again, starting in Db: |-This is not a mistake (at least not | my mistake :-), Robert really plays | this note instead of the usual one, | which is one tone higher. |------------------------------------------------------------|-----------------------------| |------------------------------------------------------------|-----------------------------| |------------2--4--------2--------4--------5-----------------2--------2--------2--------4--| |---3--5--6--------3--5-----5--6-----5--6--------2--3--5--6-----3--5-----5--6-----5--6-----| |6--------------------------------------------6--------------------------------------------| |------------------------------------------------------------------------------------------| Then part T2 in the same position as the previous one: |------------------------| |------------------------| |------------2--4--------| etc. |---3--5--6--------3--5--| |6-----------------------| |------------------------| And T3+T4, six tones (1 string + 2 frets) higher Parts T7 and T8, 16th fret: |-For a change, it seems that Robert plays | this note this time (17 instead of 16). Why? |------------------------------------|-----------------------------------| |------------12-15-14----13----12----|-----------12-14-13----12----------| |---12-15-16----------16----16----15-|--12-15-16----------15----15-16-15-| |16----------------------------------17----------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------| |------------12-15-14----13----12----| |---12-15-16----------16----16----15-| |16----------------------------------| |------------------------------------| |------------------------------------| And an extended part T9: |-The same nuance as in the previous version of T7 | (if repeated, it almost makes sense...) ||-----------------------------------------------------------------------| ||-----------12-14-15-12-------------15-12-------------------------------| ||--12-15-16-------------16-15-12----------16-15-12----------------------| |17-------------------------------16----------------16-15-12-------------| |------------------------------------------------------------16-15-12----| |---------------------------------------------------------------------16-| Then again the basic parts T3 and T4 T5b, T6, T7, T8 Then: |------------------------------------------------------------------------| |------------3--5--6--3--------------6--3--------------------------------| |---3--6--7--------------7--6--3-----------7--6--3-----------------------| |7--------------------------------7-----------------7--6--3--------------| |------------------------------------------------------------7--6--3-----| |---------------------------------------------------------------------7--| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| |---------------------------3--6--7--6-----------------------------------------------| |------------------3--6--7-----------9-----------------------------------------------| |---------3--6--7--------------------------------------------------------------------| |3--6--7-----------------------------------------------------------------------------| |------------------------------------6-----------------------------------------------| |------------------------------3--6--5-----------------------------------------------| |---------------------3--6--7--------------------------------------------------------| |------------3--6--7-----------------------------------------------------------------| |---3--6--7--------------------------------------------------------------------------| |7-----------------------------------------------------------------------------------| |------------------------------------------------------------------------| |---------------------------4--7--8--7-----------------------------------| |------------------4--7--8-----------10----------------------------------| |---------4--7--8--------------------------------------------------------| |4--7--8-----------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------3--6-----------3--6--7--| |------------3--6-----------3--6--7--0--3--6--7--------3--6--7-----------| |0--3--6--7--------3--6--7-----------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------3--6-----------3--6--7--| |------------3--6-----------3--6--7--0--3--6--7--------3--6--7-----------| |0--3--6--7--------3--6--7-----------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| Half speed |------------------------------------------5-----------------------------------------| |6--------2--------6--------2--------6-----6--2--------------------------------------| |5--------1--------5--------1--------5--------1--------------------------------------| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| ******************** * * * Moto Perpetuo IV * * * ******************** Sixteenth notes 35. Parts 1-3, played a third lower (1 string lower, 3 frets higher) 36. |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |11----------13----10----------13----11----------13----10----------13----| |---14-12-14----14----14-12-14----14----14-12-14----14----14-12-14----14-| |------------------------------------------------------------------------| 37. Play modules 1-3 a semitone higher 38. |------------------------------------------------------------------------------------| |------------------------------------------8-----------10----------11----------13----| |9-----------11----------12----------14-------11-9--11----11-9--11----14-12-14----14-| |---12-10-12----12-10-12----15-13-15----15-------------------------------------------| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| 39. Fripp |------------------| |11----------13----| |---14-12-14----14-| |------------------| |------------------| |------------------| This pattern (39) is repeated 36 times (18 bars in 3/4). Adrian plays the notes from the Intro to this pattern: a) The first nine bars Half notes Belew |------------------------------------------------------| |5--------7-----5--------9-----5--------7-----9--7-----| |---8--------10----8--------6-----8--------10----------| |------9--------------9--------------9-----------------| |------------------------------------------------------| |------------------------------------------------------| b) Repeat the same in quarter notes (double speed), 1 tone (two frets) higher ********* * * * Outro * * * ********* It contains the same patterns as the Intro. Play them in this order: b, c d, e - this time the e pattern has the same length as d a - but only A1 and A2. Trey Gunn is also circulating (so it's Belew-Fripp-Gunn Belew-Fripp etc.) d And finally: x = quarter notes Belew x x x x x x x x x x x x x x x x x x x x |------------------------------------------------------------| |11-------12----11-------9-----11-------12----15-------------| |---11-------13----11-------13----11-------13----------------| |------14-------------14-------------14----------------------| |------------------------------------------------------------| |------------------------------------------------------------| x = eighth notes Fripp x x x x x x x x x x x x x x x x x x x x |------------------------------------------------------------| |---7-----------------9-----------7-----------------6--------| |---------7-----------------9-----------7-----------------9--| |---------------11----------------------------11-------------| |------------------------------------------------------------| |------------------------------------------------------------| Fripp x x x x x x x x x x x x x x x x x x x x |------------------------------------------------------------| |---7-----------------9--------7-----------------------------| |---------7-----------------9--------------------------------| |---------------11-------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------|