FraKctured (Tab)
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Contents |
FraKctured in standard guitar tuning
Date Submitted: 11-Jul-00
By: Marcus Enochsson (the_unifaun at hotmail dot com)
Intro:
-----
5/4 _____ _____
RF | 1 | 2
||--6-----8---6-----10---6------|-8---10-------|-10----12------|
||----7-----9---7----------7----|---9----13~---|----13----15~--|
||*-----5---------5----9-----5--|-------------*|---------------|
||*-----------------------------|-------------*|---------------|
||------------------------------|--------------|---------------|
||------------------------------|--------------|---------------|
_____ _____
RF | 1 | 2
|--11-----12----11-----9----11-----12----|-11-------|-15------|
|-----9------11----9-----11----9------11-|----------|----12~--|
|*------9------------9-----------9-------|----12~--*|---------|
|*---------------------------------------|---------*|---------|
|----------------------------------------|----------|---------|
|----------------------------------------|----------|---------|
_____ _____
RF | 1 | 2
|--6-----8---6-----10---6------|--8---10-------|-10----12------|
|----7-----9---7----------7----|----9----13~---|----13----15~--|
|*-----5---------5----9-----5--|--------------*|---------------|
|*-----------------------------|--------------*|---------------|
|------------------------------|---------------|---------------|
|------------------------------|---------------|---------------|
| AB |
| First time through, play AB's notes on the beats RF does. |
| Second time, play them a 8th after, creating a "delay" effect|
|-10----12--10-----14--10------|-12---14-------|-14----16------|
|---11----13--11---------11----|---13----17~---|----17----19~--|
|*-----9---------9---13-----9--|--------------*|---------------|
|*-----------------------------|--------------*|---------------|
|------------------------------|---------------|---------------|
|------------------------------|---------------|---------------|
_____ _____
RF | 1 | 2
|--11-----12----11-----9----11-----12----|-11-------|-15------||
|-----9------11----9-----11----9------11-|----------|----12~--||
|*------9------------9-----------9-------|----12~--*|---------||
|*---------------------------------------|---------*|---------||
|----------------------------------------|----------|---------||
|----------------------------------------|----------|---------||
| AB (same thing here) ||
|---7------9-----7-----6-----7------9----|--7-------|-11------||
|-----5-------7----5------7----5-------7-|----------|-----8~--||
|*------6------------6-----------6-------|-----8~--*|---------||
|*---------------------------------------|---------*|---------||
|----------------------------------------|----------|---------||
|----------------------------------------|----------|---------||
4/4
||---7------7------7~--||
||---8------8------8~--||
||-----8~-----8~-------||
||-----9~-----9~-------||
||---------------------||
||---------------------||
Fast (1:21):
-----------
RF
4/4 (in bars of 32/32)
||---------------|-----|---------------|-----|---------------|-----||
||-4---6-------6-|4----|-6---8-------8-|6----|-7---9---5---9-|7----||
||--4-4-4-464-4-4|-4-4-|--6-6-6-686-6-6|-6-6-|--5-5-5-5-5-5-5|-5-5-||
||---7---7---7---|--7--|---9---9---9---|--9--|---8---8---8---|--8--||
||---------------|-----|---------------|-----|---------------|-----||
||---------------|-----|---------------|-----|---------------|-----||
x2 x2 x2
7/8 (28/32) 4/4 (32/32)
||---------------|-----------------||-----------------------------|---------|
||-6---8-------8-|6---8---9----11--||-12------14--------------14--|12-------|
||--6-6-6-696-6-6|-6-6-6-6-9--9--9-||---12--12--12--121412--12--12|--12--12-|
||---9---9---9---|--9---9---12-----||-----15------15------15------|----15---|
||---------------|-----------------||-----------------------------|---------|
||---------------|-----------------||-----------------------------|---------|
x2
|----------------------------|--------|----------------------------|--------|
|14------16------12------16--|14------|15------17------13------17--|15------|
|--12--12--12--12--12--12--12|--12--12|--13--13--13--13--13--13--13|--13--13|
|----15------15------15------|----15--|----16------16------16------|----16--|
|----------------------------|--------|----------------------------|--------|
|----------------------------|--------|----------------------------|--------|
x2 x2
3/4
|---------------------------||-13------15--16------18-||
|--14------16--16------18---||---14--14--14--14--14---||
|----12--12--12--12--12-----||-----16----------16-----||
|------15----------15-------||------------------------||
|---------------------------||------------------------||
|---------------------------||------------------------||
Slower (1:49):
-------------
AB (?)
5/4
||--20--------20---------| |--20---|--18---|--18---|--16---|
||----24--24----24--24~--| then do |--24---|--22---|--22---|--20---|
||------21--21----21-----| the same |--20---|--19---|--18---|--17---|
||-----------------------| thing with |-------|-------|-------|-------|
||-----------------------| different |-------|-------|-------|-------|
||-----------------------| notes: |-------|-------|-------|-------|
|| RF (?) | | | | | |
||----------15-----------| |--15---|--13---|--13---|--11---|
||------17----------17---| |--16---|--15---|--14---|--13---|
||--17----------16-------| |-17>16-|-15>14-|-15>14-|-13>12-|
||-----------------------| |-------|-------|-------|-------|
||-----------------------| |-------|-------|-------|-------|
||-----------------------| |-------|-------|-------|-------|
x2
and the last time:
|--16--------16------------16----15~---||
|----20--20----20--20~-------20--------||
|------16--16----16------------15------||
|--------------------------------------||
|--------------------------------------||
|--------------------------------------||
| ||
|----------11--------------------------||
|------12----------12----------11~-----||
|--13----------12----------12----------||
|--------------------------------------||
|--------------------------------------||
|--------------------------------------||
Fast (2:14):
-----------
RF
7/8 (28/32) 4/4 (32/32)
||----------------------------|-------------------||-----------------|------|
||11------13------10------12--|9----11----8----10-||7----9---------9-|7-----|
||--11--11--11--11--10--10--10|-9--9--9--9-8--8--8||-7--7-7--797--7-7|-7--7-|
||----14------14------13------|--12----12---11----||--10---10---10---|--10--|
||----------------------------|-------------------||-----------------|------|
||----------------------------|-------------------||-----------------|------|
x2
|--------------------|------|---------------------|--------|
|-9----11----7----11-|9-----|-10----12----8----12-|10------|
|--7--7--7--7-7--7--7|-7--7-|---8--8--8--8-8--8--8|--8--8--|
|---10----10---10----|--10--|----11----11---11----|---11---|
|--------------------|------|---------------------|--------|
|--------------------|------|---------------------|--------|
x2 x2
7/8 (28/32) 4/4 (32/32)
||-------------------|----------------||---------------|-----|
||9----11----8----10-|7----9----6---8-||-5---7-------7-|5----|
||-9--9--9--9-8--8--8|-7--7-7--7-6-6-6||--5-5-5-575-5-5|-5-5-|
||--12----12---11----|--10---10---9---||---8---8---8---|--8--|
||-------------------|----------------||---------------|-----|
||-------------------|----------------||---------------|-----|
x2
7/8 (28/32)
|-----------------|------|-----------------|-----||-----------------|
|7----9---------9-|7-----|-8---10---6---10-|8----||-7----9----6---8-|
|-7--7-7--797--7-7|-7--7-|--6-6--6-6-6-6--6|-6-6-||--7--7-7--7-4-4-4|
|--10---10---10---|--10--|---9----9---9----|--9--||---10---10---7---|
|-----------------|------|-----------------|-----||-----------------|
|-----------------|------|-----------------|-----||-----------------|
x2 x2
4/4 (32/32)
|--------------||---------------|-----|---------------|--------------|------|
|4---6---3---5-||-2---4-------4-|2----|-----4---2---4-|----4---2---5-|4-----|
|-4-4-4-4-1-1-1||--2-2-2-252-2-2|-2-2-|-52-2-2-2-2-2-2|52-2-2-2-2-2-2|-2-2--|
|--7---7---4---||---5---5---5---|--5--|---5---5---5---|--5---5---5---|--5---|
|--------------||---------------|-----|---------------|--------------|------|
|--------------||---------------|-----|---------------|--------------|------|
x2
|---------------|-----|--------------|----------------------|
|-2---4-------4-|2----|-3---5-5---7--|-8----10-10------12---|
|--2-2-2-252-2-2|-2-2-|--3-3-3-5-5---|--8--8--8--10--10-----|
|---5---5---5---|--5--|---6-----8----|---11--------13-------|
|---------------|-----|--------------|----------------------|
|---------------|-----|--------------|----------------------|
x2
3/4
|---------------------------||-13------15--16------18-||
|--13------15--15------17---||---14--14--14--17--17---||
|----13--13--13--15--15-----||-----16----------19-----||
|------16----------18-------||------------------------||
|---------------------------||------------------------||
|---------------------------||------------------------||
Slower (3:01):
-------------
AB (?)
5/4
||--20--------20---------| |--20---|--18---|--18---|--15---|
||----24--24----24--24~--| then do |--24---|--22---|--22---|--19---|
||------21--21----21-----| the same |--20---|--19---|--18---|--16---|
||-----------------------| thing with |-------|-------|-------|-------|
||-----------------------| different |-------|-------|-------|-------|
||-----------------------| notes: |-------|-------|-------|-------|
|| RF (?) | | | | | |
||----------15-----------| |--15---|--13---|--13---|--10---|
||------17----------17---| |--16---|--15---|--14---|--12---|
||--17----------16-------| |-17>16-|-15>14-|-15>14-|-12>11-|
||-----------------------| |-------|-------|-------|-------|
||-----------------------| |-------|-------|-------|-------|
||-----------------------| |-------|-------|-------|-------|
x2
and the last time:
|--15--------15------------15----14~---||
|----19--19----19--19~-------19--------||
|------15--15----15------------14------||
|--------------------------------------||
|--------------------------------------||
|--------------------------------------||
| ||
|----------10--------------------------||
|------11----------11----------10~-----||
|--12----------11----------11----------||
|--------------------------------------||
|--------------------------------------||
|--------------------------------------||
Fast (3:27):
-----------
7/8 (28/32) 4/4 (32/32)
||-------------------------|----------------||---------------|-----|
||-10------12------9----11-|7----9----6---8-||-5---7-------7-|5----|
||---10--10--10--10-7--7--7|-7--7-7--7-4-4-4||--5-5-5-575-5-5|-5-5-|
||-----13------13----10----|--10---10---7---||---8---8---8---|--8--|
||-------------------------|----------------||---------------|-----|
||-------------------------|----------------||---------------|-----|
x2
7/8 (28/32)
|-----------------|------|-----------------|-----||-----------------|
|7----9---------9-|7-----|-8---10---6---10-|8----||-7----9----6---8-|
|-7--7-7--797--7-7|-7--7-|--6-6--6-6-6-6--6|-6-6-||--7--7-7--7-4-4-4|
|--10---10---10---|--10--|---9----9---9----|--9--||---10---10---7---|
|-----------------|------|-----------------|-----||-----------------|
|-----------------|------|-----------------|-----||-----------------|
x2 x2
4/4 (32/32)
|--------------||---------------|-----|---------------|--------------|------|
|4---6---3---5-||-2---4-------4-|2----|-----4---2---4-|----4---2---5-|4-----|
|-4-4-4-4-1-1-1||--2-2-2-252-2-2|-2-2-|-52-2-2-2-2-2-2|52-2-2-2-2-2-2|-2-2--|
|--7---7---4---||---5---5---5---|--5--|---5---5---5---|--5---5---5---|--5---|
|--------------||---------------|-----|---------------|--------------|------|
|--------------||---------------|-----|---------------|--------------|------|
x2
7/8 (28/32)
|---------------|-----||---------------|------------------------|
|-2---4-------4-|2----||-3---5---6---8-|9----11----12------14---|
|--2-2-2-252-2-2|-2-2-||--3-3-3-3-6-6-6|-9--9--9--9--10--10--10-|
|---5---5---5---|--5--||---6---6---9---|--12----12-----13-------|
|---------------|-----||---------------|------------------------|
|---------------|-----||---------------|------------------------|
x2
|-----------------------------|------------------------------||
|-15------17------14------16--|13------15------12------14----||
|---15--15--15--15--12--12--12|--13--13--13--13--10--10--10--||
|-----18------18------15------|----16------16------13--------||
|-----------------------------|------------------------------||
|-----------------------------|------------------------------||
3/4 (24/32) 4/4 (32/32)
|--------------------------------------||-----------------|------|
|-11------13--10----12-9----11-8---10--||7----9---------9-|7-----|
|---11--11--11--8--8--8-9--9--9-6-6--6-||-7--7-7--797--7-7|-7--7-|
|-----14---------11------12------9-----||--10---10---10---|--10--|
|--------------------------------------||-----------------|------|
|--------------------------------------||-----------------|------|
x2
|--------------------|------|---------------------|-------|
|-9----11----7----11-|9-----|-10----12----8----12-|10-----|
|--7--7--7--7-7--7--7|-7--7-|---8--8--8--8-8--8--8|--8--8-|
|---10----10---10----|--10--|----11----11---11----|---11--|
|--------------------|------|---------------------|-------|
|--------------------|------|---------------------|-------|
x2 x2
7/8 (28/32)
|--------------------|10------12--13------15--||16------18------15------17--|
|9----11-12------14--|--11--11--11--14--14----||--17--17--17--17--14--14--14|
|-9--9--9--12--12----|----13----------16------||----19------19------16------|
|--12--------15------|------------------------||----------------------------|
|--------------------|------------------------||----------------------------|
|--------------------|------------------------||----------------------------|
3/4 (24/32)
|14------16------13------15--||12------14--11------13--10------12--9----11-||
|--15--15--15--15--12--12--12||--13--13--13--10--10--10--11--11--11-8--8--8||
|----17------17------14------||----15----------12----------13--------10----||
|----------------------------||--------------------------------------------||
|----------------------------||--------------------------------------------||
|----------------------------||--------------------------------------------||
Slower (4:22):
-------------
AB (?)
5/4
||-12--------12--------| |-12-|-10-|-10-|--8-|--8-|--6-|--6-|--4-|--4-|
||---16--16----16--16~-| then |-16-|-14-|-14-|-12-|-12-|-10-|-10-|--8-|--8-|
||-----13--13----13----| the |-12-|-11-|-10-|--9-|--8-|--7-|--6-|--5-|--4-|
||---------------------| same |----|----|----|----|----|----|----|----|----|
||---------------------| thing |----|----|----|----|----|----|----|----|----|
||---------------------| with |----|----|----|----|----|----|----|----|----|
|| RF (?) | other | | | | | | | | |
|
||----------7----------| notes:|-7--|-5--|-5--|-3--|-3--|-1--|-1--|----|----|
||------9-----------9--| |-8--|-7--|-6--|-5--|-4--|-3--|-2--|-4--|-4--|
||--9-----------8------| |9>8-|7>6-|7>6-|5>4-|5>4-|3>2-|3>2-|-5--|-4--|
||---------------------| |----|----|----|----|----|----|----|6>5-|6>5-|
||---------------------| |----|----|----|----|----|----|----|----|----|
||---------------------| |----|----|----|----|----|----|----|----|----|
x2
|--3---2--------||
|----0---0------||
|----------0~---||
|---------------||
|---------------||
|---------------||
| ||
|---------------||
|------3--------||
|--0-------4~---||
|---------------||
|---------------||
|---------------||
Fast distorted solo (also appearing in LTIA IV) (5:10):
------------------------------------------------------
not transcribed yet
Fast (7:03):
-----------
4/4 (32/32)
||---------------|-----|---------------|-----|---------------|-----||
||-0---2-------2-|0----|-2---4---0---4-|2----|-3---5---1---5-|3----||
||--0-0-0-020-0-0|-0-0-|--2-2-2-2-2-2-2|-2-2-|--1-1-1-1-1-1-1|-1-1-||
||---3---3---3---|--3--|---5---5---5---|--5--|---4---4---4---|--4--||
||---------------|-----|---------------|-----|---------------|-----||
||---------------|-----|---------------|-----|---------------|-----||
x2 x2 x2
3/4 (24/32) 4/4 (32/32)
||--------------||---------------|-----|-----------------|------|
||-2---4-----4--||-5---7-------7-|5----|7----9---------9-|7-----|
||--2-2-252-2-2-||--5-5-5-575-5-5|-5-5-|-7--7-7--797--7-7|-7--7-|
||---5-----5----||---8---8---8---|--8--|--10---10---10---|--10--|
||--------------||---------------|-----|-----------------|------|
||--------------||---------------|-----|-----------------|------|
x2 x2 x2
7/8 (28/32)
|----------------|----||----------------------|----------------------------||
|8---10---6---10-|8---||7----9----10------12--|13------15------16------18--||
|-6-6--6-6-6-6--6|-6-6||-7--7-7--7--10--10--10|--13--13--13--13--16--16--16||
|--9----9---9----|--9-||--10---10-----13------|----16------16------19------||
|----------------|----||----------------------|----------------------------||
|----------------|----||----------------------|----------------------------||
x2
RF (6/32) (I had trouble finding the meter here...)
||--------------|------------|--------------||
||--16------18--|16------18--|16------18----|| repeat this
||----16------16|--16------16|--16------16--|| 12 times, while
||--------16----|------16----|------16------|| Adrian plays
||------14------|----14------|----14--------|| this:
||--------------|------------|--------------||
|| AB for first 8 times: for last 4 times (double speed):
||--5-----7---5-----9---5-----7---9-----|--7--9--7--11--7--9--11------|
||----6-----8---6---------6-----8---12~-|---8--10-8------8--10--14~---|
||------4---------4---8-----4-----------|----6-----6--10--6-----------|
||--------------------------------------|-----------------------------|
||--------------------------------------|-----------------------------|
||--------------------------------------|-----------------------------|
Outro (7:53):
------------
5/4 _____ _____
RF | 1 | 2
|--6-----8---6-----10---6------|--8---10-------|-10----12------|
|----7-----9---7----------7----|----9----13~---|----13----15~--|
|*-----5---------5----9-----5--|--------------*|---------------|
|*-----------------------------|--------------*|---------------|
|------------------------------|---------------|---------------|
|------------------------------|---------------|---------------|
| AB |
| First time through, play AB's notes on the beats RF does. |
| Second time, play them a 8th after, creating a "delay" effect|
|-10----12--10-----14--10------|-12---14-------|-14----16------|
|---11----13--11---------11----|---13----17~---|----17----19~--|
|*-----9---------9---13-----9--|--------------*|---------------|
|*-----------------------------|--------------*|---------------|
|------------------------------|---------------|---------------|
|------------------------------|---------------|---------------|
_____ _____
RF | 1 | 2
|--11-----12----11-----9----11-----12----|-11-------|-15------|
|-----9------11----9-----11----9------11-|----------|----12~--|
|*------9------------9-----------9-------|----12~--*|---------|
|*---------------------------------------|---------*|---------|
|----------------------------------------|----------|---------|
|----------------------------------------|----------|---------|
| AB (same thing here) |
|---7------9-----7-----6-----7------9----|--7-------|-11------|
|-----5-------7----5------7----5-------7-|----------|-----8~--|
|*------6------------6-----------6-------|-----8~--*|---------|
|*---------------------------------------|---------*|---------|
|----------------------------------------|----------|---------|
|----------------------------------------|----------|---------|
_____ _____
RF | 1 | 2
|--6-----8---6-----10---6------|--8---10-------|-10----12------|
|----7-----9---7----------7----|----9----13~---|----13----15~--|
|*-----5---------5----9-----5--|--------------*|---------------|
|*-----------------------------|--------------*|---------------|
|------------------------------|---------------|---------------|
|------------------------------|---------------|---------------|
_____ _____
RF | 1 | 2
|--11-----12----11-----9----11-----12----|-11-------|-15~~---||
|-----9------11----9-----11----9------11-|----------|--------||
|*------9------------9-----------9-------|----12~--*|--------||
|*---------------------------------------|---------*|--------||
|----------------------------------------|----------|--------||
|----------------------------------------|----------|--------||
| AB (same thing here) ||
|---7------9-----7-----6-----7------9----|--7-------|--7~~---||
|-----5-------7----5------7----5-------7-|----------|--------||
|*------6------------6-----------6-------|-----8~--*|--------||
|*---------------------------------------|---------*|--------||
|----------------------------------------|----------|--------||
|----------------------------------------|----------|--------||
------------------------------------------------------------------------------
7~ hold (longer than other notes)
7h9 hammer-on
9p7 pull-off
7(9) bend
(9)7 release
(9)r release
7/9 slide up
9\7 slide down
<7> natural harmonics
7tr9 trill
< swelled note, with volume knob or pedal
* marks beat
FraKctured in Fripp's New Standard Tuning
The New Standard Tuning (from low to high: C-G-D-A-E-G) is the guitar tuning that Robert Fripp began using in 1984 and has been using it exclusively in everything he's played since then – including FraKctured.
Date: 31-Jul-00
By: Jakub Misak (jmisak at centrum dot cz)
Corrections: Nic Roozeboom
Tempo: 138 BPM
*********
* *
* Intro *
* *
*********
x = quarter notes
A1:
x x x x x x x x x x x x x x x x x x x x
|------------------------------------------------------------|
|6--------8-----6--------10----6--------8-----10-8-----------|
|---9--------11----9--------7-----9--------11----------------|
|------10-------------10-------------10----------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
A2:
x x x x x x x x x x x x x x x x x x x x
|---------------------------------------7-----9--------------|
|6--------8-----6--------10----6-----------8-----10----------|
|---9--------11----9--------7-----9--------------------------|
|------10-------------10-------------10----------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
B1:
x x x x x x x x x x x x x x x x x x x x
|------------------------------------------------------------|
|11-------12----11-------9-----11-------12----11-------------|
|---11-------13----11-------13----11-------13----10----------|
|------14-------------14-------------14----------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
B2:
x x x x x x x x x x x x x x x x x x x x x x x
|---------------------------------------------------------------------|
|11-------12----11-------9-----11-------12----15----------------------|
|---11-------13----11-------13----11-------13----14-------------------|
|------14-------------14-------------14-------------------------------|
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
This is the main melody.
It should be played in this way:
a) Fripp and Belew play parts A1-B2 together, but in circulation:
1st note is played by Belew, Fripp plays the second note etc.
b) Belew plays A1 (all notes) while Fripp plays A1 a third (4 frets) higher
c) Belew plays A2. Fripp plays A2, again three tones higher - but:
He (Fripp) begins an eighth note later, but the last two notes
are played together with Belew, so the 15th note is shorter
(it's an eighth note):
x = eighth notes
Fripp
x x x x x x x x x x x x x x x x x x x x
|------------------------------------------------------------|
|---10----------------12----------10----------------14-------|
|---------13----------------15----------13----------------11-|
|---------------14----------------------------14-------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
Fripp
x x x x x x x x x x x x x x x x x x x x
|---------------------11-------13----------------------------|
|---10----------------------12-------14----------------------|
|---------13-------------------------------------------------|
|---------------14-------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
d) Belew plays B1 while Fripp plays this:
Fripp
|------------------------------------------------------------|
|7--------9-----7--------6-----7--------9-----7--------------|
|---7--------9-----7--------9-----7--------9-----6-----------|
|------11-------------11-------------11----------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
e) Belew plays B2 and Fripp uses the delay trick again:
x = eighth notes
Fripp
x x x x x x x x x x x x x x x x x x x x
|------------------------------------------------------------|
|---7-----------------9-----------7-----------------6--------|
|---------7-----------------9-----------7-----------------9--|
|---------------11----------------------------11-------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
Fripp
x x x x x x x x x x x x x x x x x x x x x x x x x x
|------------------------------------------------------------------------------|
|---7-----------------9--------11----------------------------------------------|
|---------7-----------------9--------10----------------------------------------|
|---------------11-------------------------------------------------------------|
|------------------------------------------------------------------------------|
|------------------------------------------------------------------------------|
f) And finally:
Fripp
|4-----------------------4-----------------------4--------------------------|
|3-----------------------3-----------------------3--------------------------|
|---6-----------------------6-----------------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
*******************
* *
* Moto Perpetuo I *
* *
*******************
Sixteenth notes
1.
Fripp
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
*|6-----------8-----------4-----------8-----6-----|------8-----------4-----------8-----6-----------|
|---9--7--9-----9--7--9-----9--7--9-----9-----9--|7--9-----9--7--9-----9--7--9-----9-----9--7--9--|
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
* hold the notes on this string, play it similarly in the next steps and variations
2. The same, 1 tone (2 frets) higher
3.
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|9-----------11----------7-----------11----9-----|------11----------7-----------11----9-----------|
|---10-8--10----10-8--10----10-8--10----10----10-|8--10----10-8--10----10-8--10----10----10-8--10-|
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
4.
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|8-----------10----------7-----------10----8-----------10----------11----------13----|
|---11-9--11----11-9--11----11-9--11----11----11-9--11----11-9--11----14-12-14----14-|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
5. Repeat module No. 1, 8 semitones (1 string + 1 fret) higher
6. Play pattern No. 3, a fifth (1 string) higher
7. Repeat the previous step, play it 1 semitone higher
8.
|------------------------------------------------|
|9-----------11----11----------13----------------|
|---12-10-12----12----14-12-14-------------------|
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
9.
|------------------------------------|
|13----------15----16----------18----|
|---16-14-16----16----19-17-19----19-|
|------------------------------------|
|------------------------------------|
|------------------------------------|
*******************
* *
* Fairy Fingers I *
* *
*******************
I
Eighth notes
Fripp
|17-------------17-------------17-------------17-------------|
|---19----19-------19----19-------19----19-------19----19----|
|------19----19-------19----19-------19----19-------19----19-|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
Quarter notes
Belew
|------12-------------12-------|
|---12-------12----12-------12-|
|15-------14----15-------14----|
|------------------------------|
|------------------------------|
|------------------------------|
II
Eighth notes
Fripp
|17-------------17-------------17-------------17-------------|
|---19----19-------19----19-------19----19-------19----19----|
|------18----18-------18----18-------18----18-------18----18-|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
Quarter notes
Belew
|------12-------------12-------|
|---11-------11----11-------11-|
|15-------14----15-------14----|
|------------------------------|
|------------------------------|
|------------------------------|
Play the first Fairy Fingers section in this way:
X: I and II
Y: I and II again, but two frets lower
Z: Play I four frets lower and then:
Eighth notes
Fripp
|13-------------13-------------13----------------------|
|---15----15-------15----15-------15----15-------------|
|------14----14-------14----14-------13----------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
Eighth notes
Belew
|------------8-----------------------------------------|
|------7-----------------7--------------6--------------|
|11----------------10----------10----10----------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
********************
* *
* Moto Perpetuo II *
* *
********************
Sixteenth notes
10.
Fripp
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|13----------15----------12----------14----11----------13----------10----------12----|
|---16-14-16----16-14-16----13-11-13----13----14-12-14----14-12-14----11-9--11----11-|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
11. Play pattern No. 1 (from Moto Perpetuo I) 3 semitones higher
12. Module 3, play it a whole tone (2 frets) higher
13. Repeat the previous step, but a semitone higher
14. Part No. 10, a second (two frets) lower
15. Play parts 1-3 one semitone higher
16.
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|9-----------11----------8-----------10----6-----------8-----------5-----------7-----|
|---12-10-12----12-10-12----9--7--9-----9-----9--7--9-----9--7--9-----6--4--6-----6--|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
17.
a)
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|4-----------6-----------3-----------6-----4-----|------6-----------3-----------6-----4-----------|
|---7--5--7-----7--5--7-----7--5--7-----7-----7--|5--7-----7--5--7-----7--5--7-----7-----7--5--7--|
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
b)
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|3-----------6-----------4-----------6-----3-----|------6-----------4-----------7-----6-----------|
|---7--5--7-----7--5--7-----7--5--7-----7-----7--|5--7-----7--5--7-----7--5--7-----7-----7--5--7--|
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
c) Play a) again
18. Module 8, eleven semitones lower
19. Play the previous part a fourth (5 half-steps) higher
20. The same, another 5 semitones higher
21. Play module No. 9
********************
* *
* Fairy Fingers II *
* *
********************
It's the same as Fairy Fingers I but Z is a semitone lower.
*********************
* *
* Moto Perpetuo III *
* *
*********************
Sixteenth notes
22. Play part 16 (from Moto Perpetuo II) 3 semitones higher
23. Modules 1-3 one semitone higher
24. Play part No. 16
25. 17 a, b, c
26.
|------------------------------------------------------------------------------------|
|------------------------------------------4-----------6-----------7-----------9-----|
|5-----------7-----------8-----------10-------7--5--7-----7--5--7-----8--6--8-----8--|
|---8--6--8-----8--6--8-----9--7--9-----9--------------------------------------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
27. Pattern No. 10, three tones higher (1 string higher, 3 frets lower)
28.
|------------------------------------------------------------------------|
|6-----------8-----5-----------7-----4-----------6-----3-----------5-----|
|---9--7--9-----9-----6--4--6-----6-----7--5--7-----7-----4--2--4-----4--|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
29. Module 1, three semitones higher
30. Module 3, two semitones higher
31. Module 3, three semitones higher
32.
|------------------------------------------------|
|4-----------6-----7-----------9-----------------|
|---7--5--7-----7-----10-8--10-------------------|
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
33. Repeat the previous part, play it 6 semitones higher
34. Parts 27+28, a diminished fifth (6 frets) higher
*********************
* *
* Fairy Fingers III *
* *
*********************
Play this:
Eighth notes
Fripp
|9--------------9--------------|
|---11----11-------11----11----|
|------11----11-------11----11-| twice
|------------------------------|
|------------------------------|
|------------------------------|
|9--------------9--------------|
|---11----11-------11----11----|
|------10----10-------10----10-| twice
|------------------------------|
|------------------------------|
|------------------------------|
Quarter notes
Belew
|------------------------------------------------------------|
|------------------------------------------------------------|
|---11-14----11----11-14----11----10-14----10----10-14----10-|
|14-------13----14-------13----14-------13----14-------13----|
|------------------------------------------------------------|
|------------------------------------------------------------|
-then the same 1 tone lower
-1 tone down
-step down again
-another step down
And now something slightly different:
Eighth notes
Fripp
|0-------------------------|
|------2-------------------|
|---2-----2----------------|
|------------5-------------|
|--------------------------|
|--------------------------|
Quarter notes
Belew
|--------------------------|
|--------------------------|
|---5----------------------|
|9-----9-------------------|
|--------------------------|
|--------------------------|
**********************
* *
* The Brutal Section *
* *
**********************
These are the basic Terror modules:
Sixteenth notes in 15/8
T1
Fripp
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------0--2--------0--------2--------3-----------------2--------0--------0--------2--|
|---1--3--4--------1--3-----3--4-----3--4--------0--1--3--4-----1--3-----3--4-----3--4-----|
|4--------------------------------------------4--------------------------------------------|
T2
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------0--2--------0--------2--------3-----------------3--------2--------3--------5--|
|---1--3--4--------1--3-----3--4-----3--4--------0--1--3--4-----3--4-----4--6-----4--6-----|
|4--------------------------------------------4--------------------------------------------|
T3
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------3--6--------3--------5--------6--------------3--5--------3--------3--------5--|
|---3--6--7--------3--6-----6--7-----6--7--------3--6--7--------3--6-----6--7-----6--7-----|
|7--------------------------------------------7--------------------------------------------|
T4
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------3--6--------3--------5--------6--------------3--6--------5--------6--------8--|
|---3--6--7--------3--6-----6--7-----6--7--------3--6--7--------5--7-----7--9-----7--9-----|
|7--------------------------------------------7--------------------------------------------|
T5
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------5--6--5-----5--------5--------6-----------------6--------6--------6--------7--|
|---6--8--9-----------8-----8--9-----8--9--------5--6--8--9-----6--8-----8--9-----8--9-----|
|9--------------------------------------------9--------------------------------------------|
|------------------------------------------------------------------------------------------|
T5b (only the 7th note is different)
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------5--6--------5--------5--------6-----------------6--------6--------6--------7--|
|---6--8--9--------6--8-----8--9-----8--9--------5--6--8--9-----6--8-----8--9-----8--9-----|
|9--------------------------------------------9--------------------------------------------|
|------------------------------------------------------------------------------------------|
T6
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|
|------------6--7--------7--------7--------8-----------------8--------7--------6--------5--|
|---6--8--9--------6--8-----8--9-----8--9--------5--6--8--9-----8--9-----8--9-----8--9-----|
|9--------------------------------------------9--------------------------------------------|
|------------------------------------------------------------------------------------------|
T7
|------------------------------------------------------------------------|
|------------3--6--5-----4-----3-----------------3--5--4-----3-----------|
|---3--6--7-----------7-----7-----6-----3--6--7-----------6-----6--7--6--|
|7-----------------------------------7-----------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
T8
|------------------------------------|
|------------3--6--5-----4-----3-----|
|---3--6--7-----------7-----7-----6--|
|7-----------------------------------|
|------------------------------------|
|------------------------------------|
T9
|---------------------------------------------------------------------------------------------------|
|------------3--5--6--3-----------------------------------------------------------------------------|
|---3--6--7--------------7--6--3--------------------------------------------------------------------|
|7--------------------------------7--6--3-----------------------------------------------------------|
|------------------------------------------7--6--3--0-----------------------------------------------|
|---------------------------------------------------------------------------------------------------|
So, play T1-T9 (without T5b)
Then T1-T4 one string (5 tones) higher
T5b, T6, again a fifth higher
T7-T9 seven frets (I wouldn't say one string) higher
(Play the last note of this version of T9 on the lowest string, 14th fret)
Part T1 again, starting in Db: |-This is not a mistake (at least not
| my mistake :-), Robert really plays
| this note instead of the usual one,
| which is one tone higher.
|------------------------------------------------------------|-----------------------------|
|------------------------------------------------------------|-----------------------------|
|------------2--4--------2--------4--------5-----------------2--------2--------2--------4--|
|---3--5--6--------3--5-----5--6-----5--6--------2--3--5--6-----3--5-----5--6-----5--6-----|
|6--------------------------------------------6--------------------------------------------|
|------------------------------------------------------------------------------------------|
Then part T2 in the same position as the previous one:
|------------------------|
|------------------------|
|------------2--4--------| etc.
|---3--5--6--------3--5--|
|6-----------------------|
|------------------------|
And T3+T4, six tones (1 string + 2 frets) higher
Parts T7 and T8, 16th fret:
|-For a change, it seems that Robert plays
| this note this time (17 instead of 16). Why?
|------------------------------------|-----------------------------------|
|------------12-15-14----13----12----|-----------12-14-13----12----------|
|---12-15-16----------16----16----15-|--12-15-16----------15----15-16-15-|
|16----------------------------------17----------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------|
|------------12-15-14----13----12----|
|---12-15-16----------16----16----15-|
|16----------------------------------|
|------------------------------------|
|------------------------------------|
And an extended part T9:
|-The same nuance as in the previous version of T7
| (if repeated, it almost makes sense...)
||-----------------------------------------------------------------------|
||-----------12-14-15-12-------------15-12-------------------------------|
||--12-15-16-------------16-15-12----------16-15-12----------------------|
|17-------------------------------16----------------16-15-12-------------|
|------------------------------------------------------------16-15-12----|
|---------------------------------------------------------------------16-|
Then again the basic parts T3 and T4
T5b, T6, T7, T8
Then:
|------------------------------------------------------------------------|
|------------3--5--6--3--------------6--3--------------------------------|
|---3--6--7--------------7--6--3-----------7--6--3-----------------------|
|7--------------------------------7-----------------7--6--3--------------|
|------------------------------------------------------------7--6--3-----|
|---------------------------------------------------------------------7--|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|---------------------------3--6--7--6-----------------------------------------------|
|------------------3--6--7-----------9-----------------------------------------------|
|---------3--6--7--------------------------------------------------------------------|
|3--6--7-----------------------------------------------------------------------------|
|------------------------------------6-----------------------------------------------|
|------------------------------3--6--5-----------------------------------------------|
|---------------------3--6--7--------------------------------------------------------|
|------------3--6--7-----------------------------------------------------------------|
|---3--6--7--------------------------------------------------------------------------|
|7-----------------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|---------------------------4--7--8--7-----------------------------------|
|------------------4--7--8-----------10----------------------------------|
|---------4--7--8--------------------------------------------------------|
|4--7--8-----------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------3--6-----------3--6--7--|
|------------3--6-----------3--6--7--0--3--6--7--------3--6--7-----------|
|0--3--6--7--------3--6--7-----------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------3--6-----------3--6--7--|
|------------3--6-----------3--6--7--0--3--6--7--------3--6--7-----------|
|0--3--6--7--------3--6--7-----------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
Half speed
|------------------------------------------5-----------------------------------------|
|6--------2--------6--------2--------6-----6--2--------------------------------------|
|5--------1--------5--------1--------5--------1--------------------------------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
********************
* *
* Moto Perpetuo IV *
* *
********************
Sixteenth notes
35. Parts 1-3, played a third lower (1 string lower, 3 frets higher)
36.
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|11----------13----10----------13----11----------13----10----------13----|
|---14-12-14----14----14-12-14----14----14-12-14----14----14-12-14----14-|
|------------------------------------------------------------------------|
37. Play modules 1-3 a semitone higher
38.
|------------------------------------------------------------------------------------|
|------------------------------------------8-----------10----------11----------13----|
|9-----------11----------12----------14-------11-9--11----11-9--11----14-12-14----14-|
|---12-10-12----12-10-12----15-13-15----15-------------------------------------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
39.
Fripp
|------------------|
|11----------13----|
|---14-12-14----14-|
|------------------|
|------------------|
|------------------|
This pattern (39) is repeated 36 times (18 bars in 3/4).
Adrian plays the notes from the Intro to this pattern:
a) The first nine bars
Half notes
Belew
|------------------------------------------------------|
|5--------7-----5--------9-----5--------7-----9--7-----|
|---8--------10----8--------6-----8--------10----------|
|------9--------------9--------------9-----------------|
|------------------------------------------------------|
|------------------------------------------------------|
b) Repeat the same in quarter notes (double speed), 1 tone (two frets) higher
*********
* *
* Outro *
* *
*********
It contains the same patterns as the Intro.
Play them in this order:
b, c
d, e - this time the e pattern has the same length as d
a - but only A1 and A2. Trey Gunn is also circulating
(so it's Belew-Fripp-Gunn Belew-Fripp etc.)
d
And finally:
x = quarter notes
Belew
x x x x x x x x x x x x x x x x x x x x
|------------------------------------------------------------|
|11-------12----11-------9-----11-------12----15-------------|
|---11-------13----11-------13----11-------13----------------|
|------14-------------14-------------14----------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
x = eighth notes
Fripp
x x x x x x x x x x x x x x x x x x x x
|------------------------------------------------------------|
|---7-----------------9-----------7-----------------6--------|
|---------7-----------------9-----------7-----------------9--|
|---------------11----------------------------11-------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
Fripp
x x x x x x x x x x x x x x x x x x x x
|------------------------------------------------------------|
|---7-----------------9--------7-----------------------------|
|---------7-----------------9--------------------------------|
|---------------11-------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
